A. Durand & Fils, 1922  (p. 1)



EN KERNÉO
(EN CORNOUAILLES)

louis vuillemin
(1922) 

I
Ar zac’h bennio[1]
(les binious)



\version "2.22.0"
\header { tagline = ##f }
\paper {
  left-margin = 4\mm
  system-system-spacing.padding = #6
}
\score {
  \new PianoStaff \with { instrumentName = \markup \italic PIANO }
  <<
    %Dorn dehou
    \new Staff \with {
      \consists Merge_rests_engraver
    }
    <<
    \relative c'{
      \tempo \markup {Mouv \super t de marche}
      \numericTimeSignature
      \time 4/4
      r4_\markup {\italic "(m. g.)"} <d'_~ g_~ a_~ c^~ d~ g~>2. -\tweak Y-offset #-5 \sfz | \time 2/4 <d g a c d g>4 r8. g16 | \repeat volta 2 { \stemUp c,8.^\markup {\italic "(allègre et brutalement rythmé)"} e16 d8. g16 | c,8 e d8. g16 | c,8 e d g |c, e \slurDown \appoggiatura { d16 e } d8. g16 } \break
      \stemNeutral c,8->\f d16 e f8 g-> | f e-> d8. c16 | d8 e-> f16 g f? e | d8-> e c r | c-> d16 e f8 g-> | f e-> \stemUp \appoggiatura { d16 e } \stemNeutral d8. c16 | d8 e-> f16 g f e | d4->\startTrillSpan c8\stopTrillSpan r16 g' \break
      \set Score.repeatCommands = #'(start-repeat) \stemUp d8.\ff e16 c8. g'16 | d8 e c8. g'16 | d8 e c8. g'16 | \set Score.repeatCommands = #'((volta #f) (volta "1a")) d4->\startTrillSpan c8.\stopTrillSpan g'16 | \set Score.repeatCommands = #'((volta "2a") end-repeat) \stemNeutral d4->\startTrillSpan \stemUp \acciaccatura c8\stopTrillSpan \stemNeutral d r16 c \set Score.repeatCommands = #'((volta #f)) | d8\f g-> f e-> | d c-> d8. c16 | d8 g-> f e-> \break
      d c \stemUp \appoggiatura { d16 e } \stemNeutral d8-> r16 c | d8 g-> f e-> | \stemUp \appoggiatura { d16 e } \stemNeutral d8 c d8.-> c16 | d-> g d g e-> g f? e | \stemUp \appoggiatura { d16 e } \stemNeutral d8 c-> d-> r | \repeat volta 2 { c->\ff^\markup {\halign #-0.9 \bold "Animez progressivement"} d16 e f-> g f e | d8-> e c-> \stemUp \acciaccatura g' \stemNeutral c, \break
      d-> e f16-> g f e | d4->\startTrillSpan c8\stopTrillSpan r } | \time 3/4 \slurUp \tupletDown \tuplet 7/4 {c16->\ff(^\markup {\halign #-0.7 \bold "En animant toujours"} d e f g aes c)} \override TrillSpanner.bound-details.left.text = \markup{ \musicglyph "scripts.trill" \raise #0.65 \teeny \natural } g4->\startTrillSpan g16->\stopTrillSpan f e d | \tuplet 7/4 {c16->( d e f g aes c)} g4->\startTrillSpan g16->\stopTrillSpan f e d | \time 2/4 R2 | \time 4/4 r4 \override LaissezVibrerTieColumn.tie-configuration
      = #`((8 . ,DOWN)
          (9 . ,UP)
          (13 . ,UP)) <c' d g>2.\laissezVibrer \sfz \bar "|."
    }
    \\	
    \relative {
      \mergeDifferentlyDottedOn
      r4 \stemUp \acciaccatura a'''8 s2. | s4 r8. s16 | \stemNeutral c,,4-> d-> | c-> d-> | c-> d-> | c-> d->
      s1 s2 s4. r8 s1 s2 s4. r16 s16
      d4-> c-> | d-> c-> | d-> c-> | d-> c-> | s4. r16 s16 | s1 | s2
      s4. r16 s16 | s1 | s2 | s4. r8 | s1
      s2 | s4. r8 | s2. | s2. | R2 | r4 \stemUp \acciaccatura a''8
    }
    \\
    \relative {
      s4 \stemDown c''2._~ | c4
    }
    >>
    %Dorn kleiz
    \new Staff \with {
      \consists Merge_rests_engraver
    }    
    <<
      \relative c{
        \clef bass
        \numericTimeSignature
        <c_~ g'~>1 -\tweak Y-offset #-2.3 \sustainOn^\ff_\markup {\halign #-1.28 \italic "(laissez vibrer)"} | \time 2/4 \stemDown <c g'>4 r-\tweak Y-offset #-2.3 \sustainOff \clef treble | g''8^\ff\sustainOn <aes fis'> g\sustainOn <a fis'> | g\sustainOn <bes fis'> g\sustainOn <b fis'> | g <aes fis'> g <a fis'> | g8 <bes fis'> g <b fis'>
        g <aes fis'> g <a fis'> | g <bes fis'> g <b fis'> | g <bes fis'> g <a fis'> | g <aes fis'> g <aes fis'> | g <aes fis'> g <a fis'> | g <bes fis'> g <b fis'> | g <bes fis'> g <a fis'> | g8 <aes fis'> g <aes fis'>
        g <aes fis'> g <a fis'> | g <bes fis'> g <b fis'> | g <bes fis'> g <a fis'> | g8 <aes fis'> g <aes fis'> | g <aes fis'> g <a fis'> | g <aes fis'> g <a fis'> | g <bes fis'> g <b fis'> | g <aes fis'> g <a fis'>
        g <bes fis'> g <b fis'> | g <aes fis'> g <a fis'> | g <bes fis'> g <b fis'> | g <aes fis'> g <a fis'> | g8 <bes fis'> g <b fis'> | g <aes fis'> g <a fis'>
        g <bes fis'> g <b fis'> | g <bes fis'> g <a fis'> | g8 <aes fis'> g <aes fis'> | g8[ <aes fis'>] g[ <a fis'>] g[ <bes fis'>] | g[ <aes fis'>] g[ <a fis'>] g[ <b! fis'>] -\tweak X-offset #2.6 -\tweak Y-offset #-3.7 \sustainOff | R2 | r4 \stemUp \override LaissezVibrerTieColumn.tie-configuration
      = #`((1 . ,DOWN)
           (-1	 . ,DOWN)
           (4 . ,UP)
           (6 . ,UP)) <c d e g>2. \laissezVibrer
      }
      \\
      \relative c{
        \clef bass
        s1 | s4 r4 \clef treble | s1 s s s s s s s s s s s s s s s R2 \override LaissezVibrerTieColumn.tie-configuration
        = #`((-7 . ,DOWN)
            (-2 . ,UP)) <c' g'>1 \laissezVibrer -\tweak Y-offset #-1 \sustainOn^\ff -\tweak Y-offset #-7 _\markup {\halign #-1.28 \italic "(laissez vibrer)"}
      }
    >>
  >>
  \layout { 
  line-width = #205
  }
  \midi { }
}
  1. Prononcez : Arr zarr bennïo